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      Hijabers on Instagram: Using Visual Social Media to Construct the Ideal Muslim Woman

      1 , 2 , 2
      Social Media + Society
      SAGE Publications

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          Abstract

          This article studies uses of Instagram by members of Indonesia’s Hijabers’ Community. It shows how hijabers employ Instagram as a stage for performing middle-classness, but also for dakwah (“the call, invitation or challenge to Islam”), which they consider one of their primary tasks as Muslims. By enfolding the taking and sharing of images of Muslimah bodies on Instagram into this Quranic imperative, the hijabers shape an Islamic-themed bodily esthetic for middle class women, and at the same time present this bodily esthetic as a form of Islamic knowledge. The article extends work on influencer culture on Instagram, which has considered how and whether women exert control over their bodies in post-feminist performances of female entrepreneurship and consumer choice on social media. In it, we argue that examining the “enframement” of hijaberness on Instagram show it to be both a Muslim variant of post-feminist performances on social media, and a female variant of electronically-mediated Muslim preaching. That is, hijabers’ performances of veiled femininity structure and are structured by two distinct fields - a dynamic global digital culture and a changing field of Islamic communication – and point to a “composite habitus,” similar to that identified by Waltorp.

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          Most cited references23

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          Publics and Counterpublics

          M Warner (2002)
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            Instagrammatics and digital methods: studying visual social media, from selfies and GIFs to memes and emoji

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              Keeping cool, staying virtuous: Social media and the composite habitus of young Muslim women in Copenhagen

              This article builds on long-term anthropological fieldwork among young Muslim women in a social housing area in Copenhagen. It explores how morality, modesty, and gender- and generational relations become reconfigured in the ways in which young women use the Smartphone and social media to navigate their everyday lives. I focus on love and marriage, the imperatives of appearing cool among peers, and keeping the family’s honour intact through the display of virtuous behaviour. Building on Bourdieu’s writings on the split habitus, I introduce the term composite habitus, as it underscores the aspect of a habitus that is split between (sometimes contradictory) composite parts. The composite habitus of the young women is more than a hysteresis effect (where disposition and field are in mismatch and the habitus misfires), as the composite habitus also opens up to a range of possible strategies. I present examples of how intimate and secret uses of Smartphones have played out and show how social media have allowed for multiple versions of the self through managing public and secret relationships locally and across long distances.
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                Author and article information

                Journal
                Social Media + Society
                Social Media + Society
                SAGE Publications
                2056-3051
                2056-3051
                October 2018
                October 09 2018
                October 2018
                : 4
                : 4
                : 205630511880030
                Affiliations
                [1 ]Monash University Malaysia, Malaysia
                [2 ]Queensland University of Technology, Australia
                Article
                10.1177/2056305118800308
                722cafbd-7ef6-440e-9e3e-6c9ea47bb42d
                © 2018

                http://www.sagepub.com/licence-information-for-chorus

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