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      Tracking the affective state of unseen persons

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          Significance

          Emotion recognition is widely assumed to be determined by face and body features, and measures of emotion perception typically use unnatural, static, or decontextualized face stimuli. Using our method called affective tracking, we show that observers can infer, recognize, and track over time the affect of an invisible person based solely on visual spatial context. We further show that visual context provides a substantial and unique contribution to the perception of human affect, beyond the information available from face and body. This method reveals that emotion recognition is, at its heart, a context-based process.

          Abstract

          Emotion recognition is an essential human ability critical for social functioning. It is widely assumed that identifying facial expression is the key to this, and models of emotion recognition have mainly focused on facial and bodily features in static, unnatural conditions. We developed a method called affective tracking to reveal and quantify the enormous contribution of visual context to affect (valence and arousal) perception. When characters’ faces and bodies were masked in silent videos, viewers inferred the affect of the invisible characters successfully and in high agreement based solely on visual context. We further show that the context is not only sufficient but also necessary to accurately perceive human affect over time, as it provides a substantial and unique contribution beyond the information available from face and body. Our method (which we have made publicly available) reveals that emotion recognition is, at its heart, an issue of context as much as it is about faces.

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          Most cited references40

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          Core affect and the psychological construction of emotion.

          At the heart of emotion, mood, and any other emotionally charged event are states experienced as simply feeling good or bad, energized or enervated. These states--called core affect--influence reflexes, perception, cognition, and behavior and are influenced by many causes internal and external, but people have no direct access to these causal connections. Core affect can therefore be experienced as free-floating (mood) or can be attributed to some cause (and thereby begin an emotional episode). These basic processes spawn a broad framework that includes perception of the core-affect-altering properties of stimuli, motives, empathy, emotional meta-experience, and affect versus emotion regulation; it accounts for prototypical emotional episodes, such as fear and anger, as core affect attributed to something plus various nonemotional processes.
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            • Record: found
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            • Article: not found

            Core affect and the psychological construction of emotion.

            At the heart of emotion, mood, and any other emotionally charged event are states experienced as simply feeling good or bad, energized or enervated. These states--called core affect--influence reflexes, perception, cognition, and behavior and are influenced by many causes internal and external, but people have no direct access to these causal connections. Core affect can therefore be experienced as free-floating (mood) or can be attributed to some cause (and thereby begin an emotional episode). These basic processes spawn a broad framework that includes perception of the core-affect-altering properties of stimuli, motives, empathy, emotional meta-experience, and affect versus emotion regulation; it accounts for prototypical emotional episodes, such as fear and anger, as core affect attributed to something plus various nonemotional processes.
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              • Article: not found

              Measuring emotional intelligence with the MSCEIT V2.0.

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                Author and article information

                Journal
                Proc Natl Acad Sci U S A
                Proc. Natl. Acad. Sci. U.S.A
                pnas
                pnas
                PNAS
                Proceedings of the National Academy of Sciences of the United States of America
                National Academy of Sciences
                0027-8424
                1091-6490
                9 April 2019
                27 February 2019
                27 February 2019
                : 116
                : 15
                : 7559-7564
                Affiliations
                [1] aDepartment of Psychology, University of California, Berkeley , CA 94720;
                [2] bVision Science Program, University of California, Berkeley , CA 94720;
                [3] cHelen Wills Neuroscience Institute, University of California, Berkeley , CA 94720
                Author notes
                1To whom correspondence should be addressed. Email: chenzhimin@ 123456berkeley.edu .

                Edited by Ralph Adolphs, California Institute of Technology, Pasadena, CA, and accepted by Editorial Board Member Thomas D. Albright February 5, 2019 (received for review July 17, 2018)

                Author contributions: Z.C. and D.W. designed research; Z.C. and D.W. performed research; Z.C. contributed new reagents/analytic tools; Z.C. analyzed data; and Z.C. and D.W. wrote the paper.

                Author information
                http://orcid.org/0000-0002-8075-072X
                Article
                201812250
                10.1073/pnas.1812250116
                6462097
                30814221
                e55967b4-be3d-423c-8f4f-49e49e9ef483
                Copyright © 2019 the Author(s). Published by PNAS.

                This open access article is distributed under Creative Commons Attribution-NonCommercial-NoDerivatives License 4.0 (CC BY-NC-ND).

                History
                Page count
                Pages: 6
                Categories
                Biological Sciences
                Psychological and Cognitive Sciences
                Social Sciences
                Psychological and Cognitive Sciences
                From the Cover

                affect,emotion,context,facial expression,visual scene
                affect, emotion, context, facial expression, visual scene

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