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      What to Expect When the Unexpected Becomes Expected: Harmonic Surprise and Preference Over Time in Popular Music

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          Abstract

          Previous work demonstrates that music with more surprising chords tends to be perceived as more enjoyable than music with more conventional harmonic structures. In that work, harmonic surprise was computed based upon a static distribution of chords. This would assume that harmonic surprise is constant over time, and the effect of harmonic surprise on music preference is similarly static. In this study we assess that assumption and establish that the relationship between harmonic surprise (as measured according to a specific time period) and music preference is not constant as time goes on. Analyses of harmonic surprise and preference from 1958 to 1991 showed increased harmonic surprise over time, and that this increase was significantly more pronounced in preferred songs. Separate analyses showed similar increases over the years from 2000 to 2019. As such, these findings provide evidence that the human perception of tonality is influenced by exposure. Baseline harmonic expectations that were developed through listening to the music of “yesterday” are violated in the music of “today,” leading to preference. Then, once the music of “today” provides the baseline expectations for the music of “tomorrow,” more pronounced violations—and with them, higher harmonic surprise values—become associated with preference formation. We call this phenomenon the “Inflationary-Surprise Hypothesis.” Support for this hypothesis could impact the understanding of how the perception of tonality, and other statistical regularities, are developed in the human brain.

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          Most cited references35

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          Statistical learning of tone sequences by human infants and adults.

          Previous research suggests that language learners can detect and use the statistical properties of syllable sequences to discover words in continuous speech (e.g. Aslin, R.N., Saffran, J.R., Newport, E.L., 1998. Computation of conditional probability statistics by 8-month-old infants. Psychological Science 9, 321-324; Saffran, J.R., Aslin, R.N., Newport, E.L., 1996. Statistical learning by 8-month-old infants. Science 274, 1926-1928; Saffran, J., R., Newport, E.L., Aslin, R.N., (1996). Word segmentation: the role of distributional cues. Journal of Memory and Language 35, 606-621; Saffran, J.R., Newport, E.L., Aslin, R.N., Tunick, R.A., Barrueco, S., 1997. Incidental language learning: Listening (and learning) out of the corner of your ear. Psychological Science 8, 101-195). In the present research, we asked whether this statistical learning ability is uniquely tied to linguistic materials. Subjects were exposed to continuous non-linguistic auditory sequences whose elements were organized into 'tone words'. As in our previous studies, statistical information was the only word boundary cue available to learners. Both adults and 8-month-old infants succeeded at segmenting the tone stream, with performance indistinguishable from that obtained with syllable streams. These results suggest that a learning mechanism previously shown to be involved in word segmentation can also be used to segment sequences of non-linguistic stimuli.
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            Anatomically distinct dopamine release during anticipation and experience of peak emotion to music.

            Music, an abstract stimulus, can arouse feelings of euphoria and craving, similar to tangible rewards that involve the striatal dopaminergic system. Using the neurochemical specificity of [(11)C]raclopride positron emission tomography scanning, combined with psychophysiological measures of autonomic nervous system activity, we found endogenous dopamine release in the striatum at peak emotional arousal during music listening. To examine the time course of dopamine release, we used functional magnetic resonance imaging with the same stimuli and listeners, and found a functional dissociation: the caudate was more involved during the anticipation and the nucleus accumbens was more involved during the experience of peak emotional responses to music. These results indicate that intense pleasure in response to music can lead to dopamine release in the striatal system. Notably, the anticipation of an abstract reward can result in dopamine release in an anatomical pathway distinct from that associated with the peak pleasure itself. Our results help to explain why music is of such high value across all human societies.
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              Sweet Anticipation

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                Author and article information

                Contributors
                Journal
                Front Hum Neurosci
                Front Hum Neurosci
                Front. Hum. Neurosci.
                Frontiers in Human Neuroscience
                Frontiers Media S.A.
                1662-5161
                30 April 2021
                2021
                : 15
                : 578644
                Affiliations
                [1] 1Interdisciplinary Program in Neuroscience, Georgetown University , Washington, DC, United States
                [2] 2Secret Chord Laboratories , Norfolk, VA, United States
                [3] 3Music and Entertainment Technology Laboratory, Drexel University , Philadelphia, PA, United States
                [4] 4Department of Psychology, Loyola University Chicago , Chicago, IL, United States
                [5] 5Department of Molecular Pharmacology and Neuroscience, Loyola University Chicago , Chicago, IL, United States
                Author notes

                Edited by: Jose Luis Contreras-Vidal, University of Houston, United States

                Reviewed by: Georgios N. Yannakakis, University of Malta, Malta; Avi Mendelsohn, University of Haifa, Israel; Jesus Gabriel Cruz-Garza, Cornell University, United States

                *Correspondence: Scott A. Miles scott@ 123456secretchordlaboratories.com

                This article was submitted to Cognitive Neuroscience, a section of the journal Frontiers in Human Neuroscience

                Article
                10.3389/fnhum.2021.578644
                8121146
                33994972
                c5a396b3-8a6c-4e77-a809-686b26e7fa2f
                Copyright © 2021 Miles, Rosen, Barry, Grunberg and Grzywacz.

                This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) and the copyright owner(s) are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.

                History
                : 30 June 2020
                : 29 March 2021
                Page count
                Figures: 5, Tables: 1, Equations: 3, References: 38, Pages: 10, Words: 7297
                Categories
                Human Neuroscience
                Original Research

                Neurosciences
                music,surprise,harmony,preference,predictive coding
                Neurosciences
                music, surprise, harmony, preference, predictive coding

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