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      Making myself understood: perceived factors affecting the intelligibility of sung text

      research-article
      1 , 2
      Frontiers in Psychology
      Frontiers Media S.A.
      singing, sung text, intelligibility, understanding, performer, lyrics

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          Abstract

          Singing is universal, and understanding sung words is thought to be important for many listeners’ enjoyment of vocal and choral music. However, this is not a trivial task, and sung text intelligibility is probably affected by many factors. A survey of musicians was undertaken to identify the factors believed to have most impact on intelligibility, and to assess the importance of understanding sung words in familiar and unfamiliar languages. A total of 143 professional and amateur musicians, including singers, singing teachers, and regular listeners to vocal music, provided 394 statements yielding 851 references to one or more of 43 discrete factors in four categories: performer-related, listener-related, environment-related and words/music-related. The factors mentioned most frequently in each of the four categories were, respectively: diction; hearing ability; acoustic; and genre. In more than a third of references, the extent to which sung text is intelligible was attributed to the performer. Over 60% of respondents rated the ability to understand words in familiar languages as “very important,” but only 17% when the text was in an unfamiliar language. Professional musicians (47% of the sample) rated the importance of understanding in both familiar and unfamiliar languages significantly higher than amateurs but listed fewer factors overall and fewer listener-related factors. The more important the respondents rated understanding, the more performer-related and environment-related factors they tended to list. There were no significant differences between the responses of those who teach singing and those who do not. Enhancing sung text intelligibility is thus perceived to be within the singer’s control, at least to some extent, but there are also many factors outside their control. Empirical research is needed to explore some of these factors in greater depth, and has the potential to inform pedagogy for singers, composers, and choral directors.

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          Most cited references72

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          THE EFFECT OF FAMILIARITY ON THE COMPREHENSIBILITY OF NONNATIVE SPEECH

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            Contribution of Resonance Structures to the Formation of a Region of Wave Localization in a Randomly Inhomogeneous Medium

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              Speech understanding in the elderly.

              Three basic hypotheses regarding the speech-understanding difficulties of the elderly are reviewed: the peripheral, central-auditory, and cognitive hypotheses. Evidence obtained in our laboratory and in others is reviewed regarding the viability of each hypothesis. It is concluded that the strongest support exists for the peripheral hypothesis. Specifically, individual variations in the amount of sensorineural hearing loss among the elderly are most responsible for individual variations in speech-understanding performance. ("Speech understanding" is used throughout this article as a general term for the proportion of a speech signal that is accurately perceived by a listener whether in a discrimination, identification, recognition, or comprehension paradigm.) The focus to date, however, has been placed on monaural speech understanding measured in quiet, noise, or reverberation. It is possible that a more complex picture may yet emerge for other forms of temporally distorted speech or for dichotic measures of speech understanding.
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                Author and article information

                Contributors
                Journal
                Front Psychol
                Front Psychol
                Front. Psychol.
                Frontiers in Psychology
                Frontiers Media S.A.
                1664-1078
                04 September 2014
                2014
                : 5
                : 809
                Affiliations
                [1] 1Department of Psychology, University of Buckingham Buckingham, UK
                [2] 2Centre for Music Performance Research, Royal Northern College of Music Manchester, UK
                Author notes

                Edited by: Jennifer MacRitchie, Conservatorio della Svizzera Italiana, Switzerland

                Reviewed by: Graham Frederick Welch, University of London, UK; Helga Rut Gudmundsdottir, University of Iceland, Iceland

                *Correspondence: Philip A. Fine, Department of Psychology, University of Buckingham, Hunter Street, Buckingham MK18 1EG, UK e-mail: philip.fine@ 123456buckingham.ac.uk

                This article was submitted to Cognitive Science, a section of the journal Frontiers in Psychology.

                Article
                10.3389/fpsyg.2014.00809
                4155173
                aaa00273-2f2b-4b58-87eb-5407a1e2f65f
                Copyright © 2014 Fine and Ginsborg.

                This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) or licensor are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.

                History
                : 17 January 2014
                : 08 July 2014
                Page count
                Figures: 0, Tables: 5, Equations: 0, References: 82, Pages: 15, Words: 0
                Categories
                Psychology
                Original Research Article

                Clinical Psychology & Psychiatry
                singing,sung text,intelligibility,understanding,performer,lyrics
                Clinical Psychology & Psychiatry
                singing, sung text, intelligibility, understanding, performer, lyrics

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