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      (Geo)políticas da Percepção: Limite, de Mário Peixoto, e Uma Página da Loucura, de Kinugasa Teinosuke Translated title: (Geo)politics of perception: Limite, by Mário Peixoto, and Uma Página da Loucura, by Kinugasa Teinosuke

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          Abstract

          Resumo O artigo faz uma análise comparada de dois filmes considerados marcos globais da vanguarda “periférica” do entreguerras, cujas trajetórias apresentam muitos pontos em comum: Limite, de Mário Peixoto (1931), e Uma Página da Loucura (Kurutta Ichip?ji), de Kinugasa Teinosuke (1926). Propomos uma leitura pós-colonial da fenomenologia fílmica, atentando à materialidade dos filmes e à forma como dão a ver o próprio dispositivo fílmico. Partindo dos discursos que constituíram o fascínio local sobre os filmes como exemplares de um regime de percepção moderno e universal, sugerimos que, por meio da sua própria constituição material, os filmes propõem uma contra-(geo)política temporal inerente à dimensão corporal da percepção fílmica.

          Translated abstract

          Abstract The article engages a comparative analysis of two films considered global landmarks of the “peripheral” interwar avantgarde, whose paths display many common aspects: Limite, by Mário Peixoto (1931), and A Page of Madness, by Kinugasa Teinosuke (1929). We argue for a post-colonial reading of film-phenomenology, focusing on their materiality and the ways in which they show the very filmic apparatus. Starting from the discourses that constituted the local fascination with the films as exemplary of a modern and universal perceptual regime, we argue that through their very material constitution, the films put forth a counter-(geo)politics of time inherent to the corporeal dimension of filmic perception.

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          Most cited references11

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          The Mass Production of the Senses: Classical Cinema as Vernacular Modernism

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            ¿Modernismo sin modernización?

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              Contra o Film Fallado

              O. Faria (1928)
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                Author and article information

                Journal
                gal
                Galáxia (São Paulo)
                Galáxia (São Paulo)
                Programa de Estudos Pós-graduados em Comunicação e Semiótica - PUC-SP (São Paulo, SP, Brazil )
                1519-311X
                1982-2553
                August 2020
                : 44
                : 83-99
                Affiliations
                [01] Chapel Hill orgnameUniversity of North Carolina United States
                Article
                S1982-25532020000200083 S1982-2553(20)00004400083
                10.1590/1982-25532020245186
                82fd741f-d0dd-4f10-84eb-a4e2b1cb7ce0

                This work is licensed under a Creative Commons Attribution 4.0 International License.

                History
                : 19 November 2019
                : 25 September 2019
                Page count
                Figures: 0, Tables: 0, Equations: 0, References: 28, Pages: 17
                Product

                SciELO Brazil

                Self URI: Texto completo somente em PDF (PT)
                Categories
                Artigos

                fenomenologia do cinema,Limite,modernismos periféricos,universality,film-phenomenology,A Page of Madness,peripheral modernisms,universalidade,Uma Página da Loucura

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