O artigo estuda o registro de testemunhos em som e imagem, bem como os efeitos desse registro e das mídias, em geral, sobre as pessoas entrevistadas. O autor expõe sua experiência com depoimentos de sobreviventes da Segunda Guerra Mundial na Alemanha e analisa diversos aspectos, como a ética no uso dessas entrevistas em filmes, e as relações entre ciência, pedagogia e jornalismo. O autor comenta a reinterpretação de depoimentos pelas gerações posteriores e recorre a quatro exemplos de sua própria família para expor como são variáveis e complexos os julgamentos de personagens antigas no decorrer da história.
This article looks at the recording of witnesses in sound and image, as well as the effects of this recording and of the media in general on the people interviewed. The author discusses his experience with statements from survivors of the Second World War in Germany and analyzes various questions, such as ethics in the use of these interviews in films, and relations between science, pedagogy and journalism. The author comments on the reinterpretation of statements by later generations and draws on four examples from his own family to show how the judgment of old characters during history is complex and variable.
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