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      Shadows Alter Facial Expressions of Noh Masks

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          Abstract

          Background

          A Noh mask, worn by expert actors during performance on the Japanese traditional Noh drama, conveys various emotional expressions despite its fixed physical properties. How does the mask change its expressions? Shadows change subtly during the actual Noh drama, which plays a key role in creating elusive artistic enchantment. We here describe evidence from two experiments regarding how attached shadows of the Noh masks influence the observers’ recognition of the emotional expressions.

          Methodology/Principal Findings

          In Experiment 1, neutral-faced Noh masks having the attached shadows of the happy/sad masks were recognized as bearing happy/sad expressions, respectively. This was true for all four types of masks each of which represented a character differing in sex and age, even though the original characteristics of the masks also greatly influenced the evaluation of emotions. Experiment 2 further revealed that frontal Noh mask images having shadows of upward/downward tilted masks were evaluated as sad/happy, respectively. This was consistent with outcomes from preceding studies using actually tilted Noh mask images.

          Conclusions/Significance

          Results from the two experiments concur that purely manipulating attached shadows of the different types of Noh masks significantly alters the emotion recognition. These findings go in line with the mysterious facial expressions observed in Western paintings, such as the elusive qualities of Mona Lisa’s smile. They also agree with the aesthetic principle of Japanese traditional art “ yugen (profound grace and subtlety)”, which highly appreciates subtle emotional expressions in the darkness.

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          Most cited references8

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          On the perception of shape from shading.

          The extraction of three-dimensional shape from shading is one of the most perceptually compelling, yet poorly understood, aspects of visual perception. In this paper, we report several new experiments on the manner in which the perception of shape from shading interacts with other visual processes such as perceptual grouping, preattentive search ("pop-out"), and motion perception. Our specific findings are as follows: (1) The extraction of shape from shading information incorporates at least two "assumptions" or constraints--first, that there is a single light source illuminating the whole scene, and second, that the light is shining from "above" in relation to retinal coordinates. (2) Tokens defined by shading can serve as a basis for perceptual grouping and segregation. (3) Reaction time for detecting a single convex shape does not increase with the number of items in the display. This "pop-out" effect must be based on shading rather than on differences in luminance polarity, since neither left-right differences nor step changes in luminance resulted in pop-out. (4) When the subjects were experienced, there were no search asymmetries for convex as opposed to concave tokens, but when the subjects were naive, cavities were much easier to detect than convex shapes. (5) The extraction of shape from shading can also provide an input to motion perception. And finally, (6) the assumption of "overhead illumination" that leads to perceptual grouping depends primarily on retinal rather than on "phenomenal" or gravitational coordinates. Taken collectively, these findings imply that the extraction of shape from shading is an "early" visual process that occurs prior to perceptual grouping, motion perception, and vestibular (as well as "cognitive") correction for head tilt. Hence, there may be neural elements very early in visual processing that are specialized for the extraction of shape from shading.
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            What makes Mona Lisa smile?

            To study the ability of humans to read subtle changes in facial expression, we applied reverse correlation technique to reveal visual features that mediate understanding of emotion expressed by the face. Surprising findings were that (1) the noise added to a test face image had profound effect on the facial expression and (2) in almost every instance the new expression was meaningful. To quantify the effect, we asked naïve observers to rank the face of Mona Lisa superimposed with noise, based on their perception of her emotional state along the sad/happy dimension. Typically, a hundred trials (with 10 or more samples for each rank category) were sufficient to reveal areas altering the facial expression, which is about two orders of magnitude less than in the other reverse correlation studies. Moreover, the perception of smiling in the eyes was solely attributable to a configurational effect projecting from the mouth region.
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              Is it warm? Is it real? Or just low spatial frequency?

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                Author and article information

                Contributors
                Role: Editor
                Journal
                PLoS One
                PLoS ONE
                plos
                plosone
                PLoS ONE
                Public Library of Science (San Francisco, USA )
                1932-6203
                2013
                7 August 2013
                : 8
                : 8
                : e71389
                Affiliations
                [1 ]Okanoya Emotional Information Project (OEIP), Exploratory Research for Advanced Technology (ERATO), Japan Science and Technology Agency (JST), Nagoya, Japan
                [2 ]Graduate School of Information Science, Nagoya University, Nagoya, Japan
                [3 ]Okanoya Emotional Information Project (OEIP), Exploratory Research for Advanced Technology (ERATO), Japan Science and Technology Agency (JST), Wako, Japan
                [4 ]Graduate School of Arts and Sciences, The University of Tokyo, Tokyo, Japan
                New York University, United States of America
                Author notes

                Competing Interests: The authors have declared that no competing interests exist.

                Conceived and designed the experiments: NK RN KO. Performed the experiments: RN. Analyzed the data: RN HM. Contributed reagents/materials/analysis tools: NK. Wrote the paper: NK HM KO.

                Article
                PONE-D-13-21236
                10.1371/journal.pone.0071389
                3737093
                23940748
                41a45850-c3f1-4d16-942c-82d0b66c6a56
                Copyright @ 2013

                This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.

                History
                : 14 May 2013
                : 1 July 2013
                Page count
                Pages: 6
                Funding
                This study was supported by the funding from the Japan Science and Technology Agency, Exploratory Research for Advanced Technology, Okanoya Emotional Information Project. The funders had no role in study design, data collection and analysis, decision to publish, or preparation of the manuscript.
                Categories
                Research Article
                Biology
                Neuroscience
                Sensory Perception
                Psychophysics
                Sensory Systems
                Visual System
                Cognitive Neuroscience
                Medicine
                Mental Health
                Psychology
                Behavior
                Emotions
                Experimental Psychology
                Human Relations
                Psychophysics
                Social Psychology
                Social and Behavioral Sciences
                Anthropology
                Psychological Anthropology
                Psychology
                Behavior
                Emotions
                Cognitive Psychology
                Experimental Psychology
                Human Relations
                Psychophysics
                Sensory Perception
                Social Psychology
                Sociology
                Culture
                Social Research

                Uncategorized
                Uncategorized

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