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      Borderline practices on Douyin/TikTok: Content transfer and algorithmic manipulation

      1 , 2
      Media, Culture & Society
      SAGE Publications

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          Abstract

          TikTok continues to be the top downloaded app in many countries around the world as the short video consumption craze continues. But TikTok has also come under harsh scrutiny for its Chinese origins and data security. For TikTok, the journey of globalization has involved a painful contest with governments, geopolitical manoeuvrers, and, ultimately, finding platform regulation loopholes. TikTok’s sister app, Douyin, shares identical digital architectures, but follows different trajectories of development in China. Through interviews with Chinese influencers and media practitioners, along with a content analysis of policy documents and industry reports, this paper identifies and analyzes the borderline practices that have occurred on Douyin – including content transfers, and algorithmic platformization – and evaluates the potential for these practices to be replicated on TikTok.

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          Most cited references30

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          The politics of ‘platforms’

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            The platformization of cultural production: Theorizing the contingent cultural commodity

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              The co-evolution of two Chinese mobile short video apps: Parallel platformization of Douyin and TikTok

              TikTok is the international twin of China’s mobile short video app, Douyin, and one of the fastest growing short video platforms in the world. Owned by Chinese tech giant, ByteDance, TikTok and Douyin share many similarities in terms of appearance, functionality, and platform affordances; however, they exist in radically different markets and are governed by radically different forces. Unlike other popular mobile media platforms in China and internationally, TikTok and Douyin are neither part of the big three tech giants in China nor the big five in the US. This provides an interesting case study to investigate how an emerging internet company adapts its products to better fit divergent expectations, cultures, and policy frameworks in China and abroad. Using the app walkthrough method informed by platformization of culture production theory, this study highlights the similarities and distinctions between these two platforms. We argue the co-evolution of Douyin and TikTok is a new paradigm of global platform expansion that differs from strategies of regionalization adopted by previous major social media platforms. We contribute to platformization theory by developing the concept of parallel platformization to explain ByteDance’s strategies for surviving in two opposing platform ecosystems in China and abroad.
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                Author and article information

                Contributors
                Journal
                Media, Culture & Society
                Media, Culture & Society
                SAGE Publications
                0163-4437
                1460-3675
                November 2023
                April 14 2023
                November 2023
                : 45
                : 8
                : 1534-1549
                Affiliations
                [1 ]University of Sydney, Australia
                [2 ]University of Leeds, UK
                Article
                10.1177/01634437231168308
                2b1070cc-df6b-4f2e-8bab-41377b82e07b
                © 2023

                https://creativecommons.org/licenses/by-nc/4.0/

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