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      Expert musical improvisations contain sequencing biases seen in language production.

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          Abstract

          Language production involves action sequencing to produce fluent speech in real time, placing a computational burden on working memory that leads to sequencing biases in production. Here we examine whether these biases extend beyond language to constrain one of the most complex human behaviors: music improvisation. Using a large corpus of improvised solos from eminent jazz musicians, we test for a production bias observed in language termed easy first-a tendency for more accessible sequences to occur at the beginning of a phrase, allowing incremental planning later in the same phrase. Our analysis shows consistent evidence of easy first in improvised music, with the beginning of musical phrases containing both more frequent and less complex sequences. The findings indicate that expert jazz musicians, known for spontaneous creative performance, reliably retrieve easily accessed melodic sequences before creating more complex sequences, suggesting that a domain-general sequencing system may support multiple forms of complex human behavior, from language production to music improvisation. (PsycInfo Database Record (c) 2022 APA, all rights reserved).

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          Journal
          Journal of Experimental Psychology: General
          Journal of Experimental Psychology: General
          American Psychological Association (APA)
          1939-2222
          0096-3445
          April 2022
          April 2022
          : 151
          : 4
          : 912-920
          Article
          10.1037/xge0001107
          34843361
          24bbff5c-c14c-4056-81c3-6b47c16bdc98
          © 2022

          http://www.apa.org/pubs/journals/resources/open-access.aspx

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