RESUMEN El cine desde su invención fue rápidamente capitalizado para educar. Pese a que también se le tachó de perjudicial nunca ha dejado de usarse en la escuela. Por supuesto, esta dinámica no fue natural. Respondió a enfoques, ideas e intuiciones que lo leyeron como positivo, educativo y afín a objetivos moralistas, estéticos y cognitivos. Mediante una perspectiva histórica y una revisión documental, en este texto se plantean siete tramas educativas, tecnológicas, culturales y económicas que explican la continuidad de esta relación, es decir, las razones, saberes, fenómenos y representaciones que a lo largo de la historia han determinado la incorporación del cinematógrafo a la escolaridad.
ABSTRACT The cinema since its invention was quickly used to educate. Although it was also rejected, it has never stopped being used at school. Of course, this dynamic was not natural. It was the result of approaches and ideas that interpreted it as positive to achieve moral, aesthetic and cognitive objectives. Through a historical perspective, this text presents seven educational, technological, cultural and economic arguments that explain the continuity of this relationship, that is, the reasons, events and representations that throughout history have determined the use of cinema in the school.
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