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      Retratos en la fotografía de Lariza Hatrick. Lo abyecto como escollo radical de la representación Translated title: Portraits in the Photography of Lariza Hatrick. The Abject as a Radical Stumbling Block to Representation

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          Abstract

          Resumen El presente artículo se interesa por los retratos fotográficos. Para ello, se considera la propuesta visual de Lariza Hatrick –artista lesbiana argentina dedicada a retratar la comunidad sexodisidente que ella misma habita–. Aquí interesa el modo en que sus retratos dan cuenta de la irrupción de los cuerpos como lugar ontológico de contestación política no reductible al plano de la significación. En esta dirección, se recorren algunos vínculos entre identidad y representación a partir del trabajo precursor de Michel Foucault, de la mirada queer de Judith Butler y de las conocidas fotografías de Cindy Sherman. Finalmente, se realiza un contrapunto entre estas aproximaciones teóricas y estéticas, y el registro ontológico que anida en las fotografías de Hatrick –aquí ponderadas como soporte donde reverbera lo abyecto, es decir, una alteridad radical que circula en una materialidad corporal que desborda todo marco normativo–.

          Translated abstract

          Abstract This article is interested in photographic portraits. To do this, the visual proposal of Lariza Hatrick –an argentine lesbian artist dedicated to portraying the sex-dissident community that she herself inhabits– is considered. Interesting here is the way in which her portraits account for the apparition of bodies as an ontological place of political contestation not reducible to the level of meaning. In this direction, some links between identity and representation are explored based on the pioneering work of Michel Foucault, the queer gaze of Judith Butler, and the well-known photographs of Cindy Sherman. Finally, a counterpoint is made between these theoretical and aesthetic approaches, and the ontological register that nests in Hatrick’s photographs – here pondered as support where the abject reverberates, that is, a radical otherness. that circulates in corporeal materiality that goes beyond any normative framework.

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          Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter

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            Attention and Self-Regulation

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              The threshold of the visible world

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                Author and article information

                Journal
                aisthesis
                Aisthesis
                Aisthesis
                Pontificia Universidad Católica de Chile, Facultad de Filosofía, Instituto de Estética (Santiago, , Chile )
                0718-7181
                June 2024
                : 75
                : 225-248
                Affiliations
                [1] Buenos Aires orgnameUniversidad Nacional de La Plata Argentina amartinez@ 123456psico.unlp.edu.ar
                [2] Buenos Aires orgnameUniversidad Nacional de La Plata Argentina guillermosuzzi@ 123456gmail.com
                Article
                S0718-71812024000100225 S0718-7181(24)00007500225
                10.7764/aisth.75.12
                1370eb28-daf6-4c10-bc14-d2d2d5dbaa79

                This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

                History
                : 20 April 2022
                : 20 September 2023
                Page count
                Figures: 0, Tables: 0, Equations: 0, References: 34, Pages: 24
                Product

                SciELO Chile

                Categories
                Artículos

                queer,Retratos,representación,fotografía,cuerpo,Portraits,representation,photography,body

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