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      Bodily maps of musical sensations across cultures

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          Significance

          Music is inherently linked with the body. Here, we investigated how music's emotional and structural aspects influence bodily sensations and whether these sensations are consistent across cultures. Bodily sensations evoked by music varied depending on its emotional qualities, and the music-induced bodily sensations and emotions were consistent across the tested cultures. Musical features also influenced the emotional experiences and bodily sensations consistently across cultures. These findings show that bodily feelings contribute to the elicitation and differentiation of music-induced emotions and suggest similar embodiment of music-induced emotions in geographically distant cultures. Music-induced emotions may transcend cultural boundaries due to cross-culturally shared links between musical features, bodily sensations, and emotions.

          Abstract

          Emotions, bodily sensations and movement are integral parts of musical experiences. Yet, it remains unknown i) whether emotional connotations and structural features of music elicit discrete bodily sensations and ii) whether these sensations are culturally consistent. We addressed these questions in a cross-cultural study with Western (European and North American, n = 903) and East Asian (Chinese, n = 1035). We precented participants with silhouettes of human bodies and asked them to indicate the bodily regions whose activity they felt changing while listening to Western and Asian musical pieces with varying emotional and acoustic qualities. The resulting bodily sensation maps (BSMs) varied as a function of the emotional qualities of the songs, particularly in the limb, chest, and head regions. Music-induced emotions and corresponding BSMs were replicable across Western and East Asian subjects. The BSMs clustered similarly across cultures, and cluster structures were similar for BSMs and self-reports of emotional experience. The acoustic and structural features of music were consistently associated with the emotion ratings and music-induced bodily sensations across cultures. These results highlight the importance of subjective bodily experience in music-induced emotions and demonstrate consistent associations between musical features, music-induced emotions, and bodily sensations across distant cultures.

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          Most cited references82

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          Controlling the False Discovery Rate: A Practical and Powerful Approach to Multiple Testing

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            How do you feel? Interoception: the sense of the physiological condition of the body.

            A. Craig (2002)
            As humans, we perceive feelings from our bodies that relate our state of well-being, our energy and stress levels, our mood and disposition. How do we have these feelings? What neural processes do they represent? Recent functional anatomical work has detailed an afferent neural system in primates and in humans that represents all aspects of the physiological condition of the physical body. This system constitutes a representation of 'the material me', and might provide a foundation for subjective feelings, emotion and self-awareness.
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              Brain correlates of music-evoked emotions.

              Music is a universal feature of human societies, partly owing to its power to evoke strong emotions and influence moods. During the past decade, the investigation of the neural correlates of music-evoked emotions has been invaluable for the understanding of human emotion. Functional neuroimaging studies on music and emotion show that music can modulate activity in brain structures that are known to be crucially involved in emotion, such as the amygdala, nucleus accumbens, hypothalamus, hippocampus, insula, cingulate cortex and orbitofrontal cortex. The potential of music to modulate activity in these structures has important implications for the use of music in the treatment of psychiatric and neurological disorders.
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                Author and article information

                Contributors
                Journal
                Proc Natl Acad Sci U S A
                Proc Natl Acad Sci U S A
                PNAS
                Proceedings of the National Academy of Sciences of the United States of America
                National Academy of Sciences
                0027-8424
                1091-6490
                25 January 2024
                30 January 2024
                25 January 2024
                : 121
                : 5
                : e2308859121
                Affiliations
                [1] aTurku PET Centre, University of Turku , Turku 20520, Finland
                [2] bTurku Institute for Advanced Studies, Department of Psychology, University of Turku , Turku 20014, Finland
                [3] cInstitute of Brain and Psychological Sciences, Sichuan Normal University , Chengdu 610066, China
                [4] dThe Center of Psychosomatic Medicine, Sichuan Provincial Center for Mental Health, Sichuan Provincial People’s Hospital, University of Electronic Science and Technology of China , Chengdu 610072, China
                [5] eMOE Key Laboratory for Neuroinformation, School of Life Science and Technology, University of Electronic Science and Technology of China , Chengdu 610054, China
                [6] fCollege of Mathematics, Sichuan University , Chengdu 610064, China
                [7] gState Key Laboratory of Brain and Cognitive Sciences, The University of Hong Kong , Hong Kong, China
                [8] hDepartment of Psychology, The University of Hong Kong , Hong Kong, China
                [9] iDepartment of Neuroscience and Biomedical Engineering, School of Science, Aalto University , Espoo 00076, Finland
                [10] jDepartment of Psychology, University of Turku , Turku 20520, Finland
                Author notes
                2To whom correspondence may be addressed. Email: vesa.putkinen@ 123456utu.fi or ben_becker@ 123456gmx.de .

                Edited by Robert J. Zatorre, Montreal Neurological Institute, McGill University, Montreal, QC, Canada; received June 15, 2023; accepted December 1, 2023 by Editorial Board Member Michael S. Gazzaniga

                1V.P. and X.Z. contributed equally to this work.

                Author information
                https://orcid.org/0000-0002-7457-191X
                https://orcid.org/0000-0002-5032-9141
                https://orcid.org/0000-0002-9014-9671
                https://orcid.org/0000-0002-1992-484X
                https://orcid.org/0000-0002-2497-9757
                Article
                202308859
                10.1073/pnas.2308859121
                10835118
                38271338
                0d1223f1-52f6-4e2f-a260-911e67911cb2
                Copyright © 2024 the Author(s). Published by PNAS.

                This open access article is distributed under Creative Commons Attribution License 4.0 (CC BY).

                History
                : 15 June 2023
                : 01 December 2023
                Page count
                Pages: 10, Words: 5599
                Funding
                Funded by: Academy of Finland (AKA), FundRef 501100002341;
                Award ID: 350416
                Award Recipient : Vesa Putkinen
                Categories
                research-article, Research Article
                psych-soc, Psychological and Cognitive Sciences
                431
                Social Sciences
                Psychological and Cognitive Sciences

                music,emotion,body,cross-cultural
                music, emotion, body, cross-cultural

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