Smart CitationsSee how this article has been cited at scite.ai
scite shows how a scientific paper has been cited by providing the context of the citation, a classification describing whether it supports, mentions, or contrasts the cited claim, and a label indicating in which section the citation was made.
- Record: found
- Abstract: found
- Conference Proceedings: found
A Cybernetic Clarion Call to the Arts’ Community
Content
Author and article information
REFERENCES
R. Ascott 1992 Foreward: Extended Aesthetics Brian Eno Visual Music Chronicle Books, San Francisco California
R. Ascott 2003 Behaviourist Art and Cybernetic Vision Edward A. Shanken Telematic Embrace, Visionary Theories of Art, Technology and Consciousness University of California Press Berkeley, Los Angeles, London
S. Beer 1959 Cybernetics and Management English Universities Press London
R. Glanville 2009 A (cybernetic) musing: design and cybernetics Cybernetics and Human Knowing 16 3-4 175 186
N. Lambert 2017 The cybernetic moment: Roy Ascott and the British cybernetic pioneers, 1955-1965 Interdisciplinary Science Reviews 42 1-2 16 17
P. PangaroT. J. McLeish 2018 The Colloquy of Mobiles 2018 Project Paper given at symposium on Cybernetic Serendipity Reimagined, Liverpool https://www.pangaro.com/published/Pangaro-McLeishColloquy-2018AISB-2018distro.pdf retrieved February 2019)
G. Pask 1968 A comment, a case study, a plan Cybernetics, Art and Ideas https://pangaro.com/pask/Pask%20Cybernetic%20Serendipity%20Musicolour%20and%20Colloquy%20of%20Mobiles.pdf retrieved February 2019)
J. Reichardt 1968 Cybernetic Serendipity, the computer and the arts A Studio International special issue Frederick A. Praeger New York
C. RithH. Dubberly 2006 Why Horst W. J. Rittel Matters Design Issues 23 4 72 91
C. Scoates 1992 The Aesthetics of Time, Mistakes and Random Errors: Chance Systems and Process Brian Eno Visual Music Chronicle Books, San Francisco California
R. Sommer 1969 Personal Space: the behavioral basis of design Prentice Hall, Englewood Cliffs New Jersey
T. Trickett 2012 The Breadth of the Source-Code becomes the Brush of the Artist ATINER’s Conference Paper Series ART2012–0255 https://youtu.be/6WEXof-BWAw retrieved February 2019)
T. Trickett 2019a Four excerpts from J.S. Bach’s first Suite for Cello arranged for clarinet https://youtu.be/xeTdzxxmgtw retrieved February 2019)
T. Trickett 2019b Five excerpts from J.S.Bach’s first Suite for Cello arranged for clarinet https://youtu.be/6WEXof-BWAw retrieved February 2019)
N. Wiener 1948 Cybernetics or Control and Communication in the Animal and the Machine MIT Press Cambridge, MA