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Posthumanism in Italian Literature and Film : Boundaries and Identity
Lose Your Self: Gianni Celati and the Art of Being One with the World
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Author(s):
Enrico Vettore
Publication date
(Online):
August 11 2020
Publisher:
Springer International Publishing
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Material feminisms
S. ALAIMO
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Publication date (Print):
2020
Publication date (Online):
August 11 2020
Pages
: 233-253
DOI:
10.1007/978-3-030-39367-0_11
SO-VID:
e5a3aeaf-3479-40dc-9b24-d3ac95329c8d
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Book chapters
pp. 1
Introduction: How Italians Became Posthuman
pp. 31
Giacomo Leopardi’s Book of the Future: The Zibaldone as an Encyclopedia for the Ecosophical Posthuman
pp. 51
Thresholds and Tortoises: Modernist Animality in Pirandello’s Fiction
pp. 73
Post-Anthropocentric Perspectives in Laura Pugno’s Narrative
pp. 93
Posthumanism and Identity in Elena Ferrante’s Neapolitan Novels
pp. 119
The Stuff We Are Made Out Of: Contemporary Poetry in Italy and Our World Model in the Era of Digital Reproduction
pp. 141
“Ancora non raggiungibile”: Mobile Phones and the Fragmented Subject in Italian Fiction
pp. 163
Mechanized Women and Sentient Machines: Language, Gendered Technology, and the Female Body in Luciano Bianciardi and Tiziano Scarpa
pp. 185
(Technologically) Fallen from Grace: Abjection and Android Motherhood in Viola Di Grado’s Novel Bambini di ferro (2016)
pp. 211
Unbearable Proximity: Cognition, Ethics and Subjectivity at the Borders of the Human in La vita oscena by Aldo Nove
pp. 233
Lose Your Self: Gianni Celati and the Art of Being One with the World
pp. 255
The Living Dead and the Dying Living: Zombies, Politics, and the ‘Reflux’ in Italian Culture, 1977–1983
pp. 275
New Materialism, Female Bodies and Ethics in Antonioni’s L’avventura, La notte and L’eclisse
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