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      The Cultural Life of James Bond : Specters of 007 

      Market Forces : James Bond, Women of Color, and the Eastern Bazaar

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      1
      Amsterdam University Press
      James Bond, women of color, Eastern bazaar, carnival, Orientalism

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          Abstract

          This chapter examines the chase sequences in Tomorrow Never Dies (1997) and in Skyfall (2012) in order to argue that 007’s varying relationships with women of color may be seen through the Otherness evoked by the Eastern bazaar: a site of visuality and mobility as well as a social space where both hybrid identity and cultural tourism are made visible. The earlier film (with Pierce Brosnan and Hong Kong action star, Michelle Yeoh) reflects what Mikhail Bakhtin casts as carnival, where inverted roles challenge social and cultural norms. In contrast, the later Bond (with Daniel Craig and a new Moneypenny, Naomie Harris), regresses to the Orientalist expression of an East-West relationship predicated on the colonial exercise of power based on exclusion and domination.

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          Book Chapter
          October 15 2020
          : 171-186
          Affiliations
          [1 ] Towson University
          10.5117/9789462982185_ch08
          4bd1362e-4229-4fae-b20a-774e7ef00adb
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