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African Polyphony and Polyrhythm
Theoretical assumptions
monograph
Publication date:
July 18 1991
Publisher:
Cambridge University Press
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Book Chapter
Publication date:
July 18 1991
Pages
: 105-106
DOI:
10.1017/CBO9780511518317.014
SO-VID:
2a5bee88-9ebc-44bc-a877-b4d9fb6b0b6e
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Book chapters
pp. xix
Preface
pp. xvii
Foreword by György Ligeti
pp. 2
Map
pp. 3
General introduction
pp. 6
The general features of traditional music
pp. 16
Typology
pp. 33
Introduction
pp. 34
A classification of African polyphonies
pp. 45
Previous studies: the present state of the subject
pp. 94
The need for transcription
pp. 95
The difficulties of transcription
pp. 96
Earlier methods
pp. 103
Towards a new method
pp. 105
Theoretical assumptions
pp. 107
Technical equipment: description and use
pp. 113
From recording to transcription
pp. 114
Checking the results
pp. 115
Potentialities
pp. 117
Anthropological validity
pp. 137
The notion of relevance
pp. 157
Description and analysis
pp. 169
The question of transcription
pp. 179
A brief survey of Western rhythmics
pp. 200
Towards a precise terminology
pp. 206
African rhythmics
pp. 215
Typology
pp. 218
Analytical notions
pp. 229
Strict polyrhythmics
pp. 307
Polyrhythmics as a way to polyphony: Hocket
pp. 505
Polyphony produced by melodic instruments
pp. 619
The association of polyphony and polyrhythmics
pp. 655
Conclusion
pp. 660
Bibliography
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