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Eurovision and Australia: Interdisciplinary Perspectives from Down Under
Eurovisions from Down Under: Multicultural Community Preferences and the National Broadcaster, SBS
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Author(s):
Nina Markovic Khaze
Publication date
(Online):
July 26 2019
Publisher:
Springer International Publishing
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Wild Dances and Dying Wolves: Simulation, Essentialization, and National Identity at the Eurovision Song Contest
Catherine Baker
(2008)
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Language, Normativity and Europeanisation
Heiko Motschenbacher
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Past and Current Trends of Balkan Migrations
Corrado BONIFAZI
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Marija Mamolo
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C. BONIFAZI
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(2004)
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Publication date (Print):
2019
Publication date (Online):
July 26 2019
Pages
: 141-163
DOI:
10.1007/978-3-030-20058-9_8
SO-VID:
2164543b-69a4-4125-8a1d-28a895eb90d1
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Book chapters
pp. 1
Introduction—“Good Evening, Europe—Good Morning, Australia!”
pp. 17
Australia and the Eurovision Song Contest: A Historical Survey
pp. 33
The Politics of Diversity and Participation
pp. 57
Indigenous Representation at the Eurovision Song Contest: A Quintessentially Australian Identity
pp. 75
Gender-Bending or Gender-Straightening? Australia and the ESC at the Intersections of Gender, Sexual Orientation, and Ethnicity
pp. 101
Sounds Like Australia? Listening to Australia’s Eurovision Song Performances
pp. 125
Australia and Eurovision: The View From Europe
pp. 141
Eurovisions from Down Under: Multicultural Community Preferences and the National Broadcaster, SBS
pp. 165
Lessons Learned: Teaching European Studies in Full Eurovision
pp. 189
Our Aussie Divas: Interrogating Australian Identity through Audience Reactions to Australia’ Eurovision Entrants
pp. 213
“It Really Makes You Feel Part of the World”: Transnational Connection for Australian Eurovision Audiences
pp. 239
Pyjama Fandom: Watching Eurovision Down Under
pp. 259
Conclusion—Eurovision—Australia Decides
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Conclusion—Eurovision—Australia Decides
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