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Conceptual and Pedagogical Approaches to the Global Dimension of Youth Work in British Higher Education Institutions
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MEMBER of the Association of European University Presses (AEUP). Learn more at
www.aeup.eu
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Theorizing Film Through Contemporary Art : Expanding Cinema
Foreword: Courtesy of the Artists
monograph
Author(s):
Sandra Gibson
,
Luis Recoder
1
Publication date
(Print):
October 08 2020
Publisher:
Amsterdam University Press
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Amsterdam University Press Books
Author and book information
Book Chapter
Publication date (Print):
October 08 2020
Pages
: 15-32
Affiliations
[
1
]
the Whitney Museum of American Art , Academy Museum of Motion Pictures , Museum Kunstpalast , www.gibsonrecoder.com
DOI:
10.5117/9789462989467_fore
SO-VID:
10ef21b2-9f9d-40fc-ad46-694c387a0a0b
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Book chapters
pp. 15
Foreword: Courtesy of the Artists
pp. 33
Introduction: On Cinema Expanding
pp. 49
Cinema as (In)Visible Object
pp. 69
Objects in Time
pp. 83
Materializing the Body of the Actor
pp. 101
How to Spell ‘Film’
pp. 123
The Magic of Shadows
pp. 143
Douglas Gordon and the Gallery of the Mind
pp. 157
A Throw of the Dice Will Never Abolish Chance
pp. 175
The Photo-Filmic Diorama
pp. 195
The Cinematic Dispositif and Its Ghost
pp. 213
Time/Frame: On Cinematic Duration
pp. 231
Interactivity without Control
pp. 255
Post-Cinematic Unframing
pp. 277
Absolute Immanence
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